03 — The Work
three ways in.
Every project starts the same way: a quick conversation about what you're working toward. From there, one of these three options fits almost everybody.
not sure which? start with a game + workout session.game + workout session
For hoopers, trainers & programs who want their game and their grind in the same frame.
One game. One workout. I handle the angles, lighting, and edits — you just hoop.
This is the front door to everything else — a single session that sets the standard for your media.
How it works
- 1.The Game Plan: A short call before the day to lock in your goals and the look we're building.
- 2.The Work: Warm-up and on-court reps, followed by simple portraits. In and out.
- 3.The Delivery: I edit. You get a private link and a simple posting plan so the content actually gets seen.
You walk away with
- +3–5 vertical reels ready to post
- +15–25 photo selects (on-court + behind-the-scenes)
- +A mini story that actually feels like you, not a random highlight dump
Is it for you?
You take your game seriously, you have gym access, and you want to build a real content foundation right now.
You're just chasing one viral clip. I build a consistent presence, not lottery tickets.
the 30-day run
For athletes building toward something specific — a season, an offer, a next level.
Thirty days inside your real schedule. Workouts, open runs, game days — I pull up and document the work as it happens.
One good day looks nice, but a month of connected days tells a story. And stories are what people actually follow.
How it works
- 1.The Calendar: A kickoff call to map out your next 30–60 days and identify the runs that matter.
- 2.The Coverage: I show up. Workouts, runs, games. You just do what you were already doing.
- 3.The Arc: Content is delivered as we go, built into one connected story instead of scattered clips.
You walk away with
- +A consistent stream of edited film and photo, delivered throughout
- +A season story arc you keep building on after I leave
- +A page that looks like a serious athlete runs it — because one does
Is it for you?
You're building toward a specific goal and you're comfortable being on camera while you actually work.
You only want staged, posed shoots. This format lives on real days.
programs & brands
For skills trainers, AAU programs, NIL athletes & brands tied to hoops culture.
Your athletes and your product deserve better than iPhone-in-the-bleachers footage. I build reliable content pipelines for the people around the game — recurring training content, season coverage, and campaign work.
We define the scope together, and I make it repeatable so your presence doesn't stop when the shoot does.
How it works
- 1.The Scope: We talk about what you're building, who it's for, and what a "win" looks like.
- 2.The Pilot: One initial shoot or coverage block, delivered from end to end.
- 3.The System: A repeatable cadence. We lock in what gets shot, when, and how it ships.
You walk away with
- +Media your athletes actually want to share
- +A simple system for keeping it coming — cadence, formats, delivery
- +One point of contact who knows the game from the inside
Is it for you?
You're a trainer, program, or brand that needs consistent hoops content, not a one-off.
Basketball is just a costume for your brand. This lane is for people actually in the game.
good questions.
Where do you shoot?
Atlanta-based — gyms, outdoor courts, and facilities. Venue access gets sorted on our call. Travel is an option for 30-day runs and program work.
Do you work with athletes under 18?
Yes — with a parent or guardian signing the agreement, and all communication and delivery running through them. Athlete safety and consent aren't fine print here.
Who owns the photos and video?
I keep the copyright; you get a license for personal, social, and recruiting use. If a brand wants to use a shot commercially, that's a quick separate conversation.
How fast do I get my content?
Session deliveries land within days, not weeks — the exact timeline is in your proposal. The 30-day run delivers as we go.
Why isn't pricing on the site?
Because the plan comes first. After a quick call, I send a specific proposal covering exactly what we shoot, when, what you walk away with, and what it costs. You say yes or no to a real number, not a generic menu.
Do you only shoot women's basketball?
I shoot serious hoopers, period. Women's ball is where I came from, and you'll always see that reflected in my work — but the studio is built for anyone who takes the game seriously.