three ways in.
Every project starts the same way: a quick conversation about what you're working toward. From there, one of these three options fits almost everybody.
the story session
This isn't a pose-and-go shoot. We spend a session inside your actual world—how you coach, train, compete, or prepare—and make something from what's already there. You do the work. I pay attention.
- The Context: A short call about what matters right now and who needs to see it.
- The Work: Your real session, plus a few intentional portraits if they make sense.
- The Delivery: I edit with a purpose. You get content that has somewhere to go.
- +Short-form film built around your actual session
- +Photo selects: movement, detail, and the people around the work
- +A starting point for a presence that feels like yours
You're building trust—before a race, around your coaching, or inside your gym—and want a strong first chapter.
You just need somebody to make you look busy. That's not my thing.
the gym, documented
People don't choose a gym because of a row of machines. They choose a feeling, a coach, a standard, a room they want to come back to. I make ongoing photo and film that lets people see that before they walk in.
- The Room: We get clear on who you are, who you want more of, and what they need to feel.
- The Pilot: One shoot or coverage block to see what your story looks like in practice.
- The Rhythm: A repeatable cadence for the moments worth showing, without adding work to your plate.
- +Content that makes current members proud to repost
- +A useful, repeatable rhythm—not a folder of forgotten files
- +A creative partner who learns the room and keeps showing up
You're building a real community and want your online presence to finally feel like it.
You want a flashy campaign with no story underneath it.
the build-up
I'm there across the lead-up—training blocks, hard days, the parts that change your mind, and race day. I document it while it's still happening. A single good clip can get a like. A real arc gives people a reason to care what happens next.
- The Why: A kickoff call to get clear on what this season means to you.
- The Days: I come into the real schedule. You don't need to perform for the camera.
- The Story: Work ships as we go, so the momentum doesn't end at the finish line.
- +A stream of photo and film while it's still relevant
- +A connected story—from the first session to the outcome
- +A body of work you can keep building on after we're done
You're building toward something specific and want people to come along for it.
You only want staged, posed shoots. This lives in real days.
good questions.
Where do you shoot?
Atlanta-based — gyms, outdoor courts, and facilities. Venue access gets sorted on our call. Travel is an option for 30-day runs, Hyrox events, and program work.
Do you only shoot basketball?
No. Basketball is still a lane I care about and want to keep shooting. I'm also doing more gym and fitness work now: strength training, HYROX, hybrid athletes, trainers, coaches, and the rooms built around them.
Do you work with athletes under 18?
Yes — with a parent or guardian signing the agreement, and all communication and delivery running through them. Athlete safety and consent aren't fine print here.
Who owns the photos and video?
I keep the copyright; you get a license for personal, social, and recruiting use. If a brand wants to use a shot commercially, that's a quick separate conversation.
How fast do I get my content?
Session deliveries land within days, not weeks — the exact timeline is in your proposal. The 30-day run delivers as we go.
Why isn't pricing on the site?
Because the plan comes first. After a quick call, I send a specific proposal covering exactly what we shoot, when, what you walk away with, and what it costs. You say yes or no to a real number, not a generic menu.